LUU’S Open Theatre ‘Solarium’: a Review
Rosie Nowosielski review LUU Open Theatre's 'Solarium.' The Open Theatre Society describes itself as ‘the alternative performance society’, who perform...
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Review: Perfect Days
Oliver Paul reviews Perfect Days , as Wim Wenders' quiet, unassuming film reminds us all to slow down. Attention spans...
Dune Part 1: Revisited
Momnah Shahnaz comically revisits 2022's Dune: Part 1, amid February's release of Dune: Part 2, the second installation in Denis...
Review: Found Cities, Lost Objects
Anna Jackman visits 'Found Cities, Lost Objects,' Leeds Art Gallery's most recent exhibition. The much-anticipated exhibition ‘Found Cities, Lost Objects’...
daydreamers: A Shining Synth-Pop Single
Written by Gabriel Morrissey-Limb, Edited by Millie Cain. After several weeks of teasing their debut track all over social media,...
IDLES: Plastic Punk or Proper Passion?
Written and Edited by Millie Cain. A spontaneous show under the white lights of Project House, IDLES returned to Leeds...
Mother Mother’s “Grief Chapter”: An Ode To The Absurd
Written by Charlotte O'Reilly, Edited by Millie Cain Disheartened by the acceptance of the futility of human existence? Want to...
The Knife Angel: When The Touring Monument Made Its Stop in Leeds
Olivia Marshall visits The Knife Angel on it's tour of Leeds, sharing her thoughts on the exhibition, and raising awareness....
Preserving The Passion: Northern Ballet’s Romeo and Juliet
Anna Jackman reviews Preserving The Passion, Leeds' most recent celebration of local creatives, Northern Ballet, and their impressive performance history....
One Singular Sensation After Another! – ‘A Chorus Line’ Review
Megan Buchanan reviews Leeds University Union Stage Musical Society's take on 'A Chorus Line.' Amid December deadlines, an electric crowd...
