The Grand Return of Miles Kane to Brudenell


After 2 previous sold-out shows at Brudenell Social Club in 2011 and 2018, Miles Kane made his big
return to the beloved venue in 2024, 6 years after the last time he played. But this time it was only him
and his drummer Jennifer Walinetski. Throughout late 2023 – December 2024 the One Man Band
tours in celebration of his latest album have entailed Kane being accompanied by differing amounts of
musicians. In the build-up to his album release, he had embarked on a tour where he played full sets
up and down the country by himself, truly taking the One Man Band to the next level. In the last
instalment of the One Man Band tour, it was a two man band. Support came from Glu, aka Michael
Shuman, the Queens Of The Stone Age bassist who had travelled from Los Angeles to play a string
of shows across the country after support slots from upcoming star Lissy Taylor across Scotland and
local Scouse artist Ellis Murphy earlier in this tour.


Having seen him the week before in Hull at The Welly, I already knew it was going to be an amazing
night. And he absolutely didn’t disappoint. The ever-stylish Miles Kane swaggered out on stage
donning a denim gilet-style jacket with denim trousers split across horizontally and joined together by
sparkly strings out of his eclectic wardrobe. From the moment he walked out on stage he had the
audience completely hooked and how could you not be hooked when he has the ultimate stage
presence that he has. He launched straight into the album title track followed by the classic track
Rearrange‘ which really got the crowd going and is also a personal favourite of mine.


Following on from ‘Rearrange‘ was the second single off the third album Coup De Grace (2018), where he
effectively switched between two microphones bringing a new echoing vocal sound to his song in all
the right places. Kane kept up this energy throughout the whole gig, really feeling his own melodies
and moving around the stage to get up close and personal with the lucky people who secured front-
row spots. He also just had this really joyful energy about him, he really looked like he was having so
much fun playing these shows as I saw in Hull and Leeds. It’s infectious to see how happy he was on
stage and you couldn’t help but smile at it. Kane was also on top form with his crowd interactions
reading out things fans wrote on their phone screens and asking if everyone was invited to the after-
party at a random fan’s house which brought a lot of laughter from everyone else. But as well as being
the man of the people that he is he still kept up the swaggering attitude he’s known for. This really
came across in songs like ‘The Best Is Yet To Come‘, ‘Inhaler‘, and ‘Never Taking Me Alive‘, all
accompanied by his signature screech.


As well as establishing himself firmly as an indie favourite, he has also found success with other
projects like his most recent ‘Miles Kane And The Evils,’ ‘The Rascals,’ and ‘The Last Shadow
Puppets.’ The latter being a hot topic with fans often wondering if a third album will be in the works
any time soon. The fans showed their adoration for TLSP songs when it was just Miles Kane alone on
stage switching from his electric to acoustic guitar to play ‘Standing Next To Me‘. The crowd were also
treated to ‘Aviation‘ as well which was only a recent addition to the setlist since Southampton two days
ago. Business as usual resumed with Walinetski’s powerful drum style being welcomed back to the
stage.


Miles Kane absolutely smashed the rest of his set with a perfect combination of ‘Never Taking Me
Alive
‘ and ‘Come Closer‘ to close out the night. Having now seen him six times I can say he has always
been an amazing live performer and always keeps the crowd going as well as being a proper down-
to-earth guy. His latest effort at Brudenell Social Club was no exception further cementing his position
as an iconic showman who I will always recommend anyone go to see if you ever have the chance.

Words by Ruby Macklin

Miles Kane, supported by Brooke Combe, takes the O2 Academy Leeds by storm

Miles Kane’s first support, Tom A. Smith, kicked things off with some classic indie rock; his charisma drew the crowd in and set things up nicely for Edinburgh singer-songwriter, Brooke Combe who followed. It was clear that Combe understood Kane’s crowd as she got them suitably warmed up with her cover of Arctic Monkey’s ‘Why Do You Only Call Me When You’re High’. Her warm vocals leant itself perfectly to the indie classic and got the crowd firmly on her side as she made her way through her singles, ‘A-Game’ and ‘Impress You’. The catchy bass on Combe’s final track, ‘Are You With Me?’, got the crowd fist-pumping and raring to go for Kane’s performance. I am sure I won’t be the only one in the audience who will be keeping an eye out for what Combe brings out next. 


With his infectious energy, incredible band, and hit after hit, Miles Kane bought the house down on Sunday night at the O2 Academy. 

Miles Kane started as he meant to go on as he opened with the riotous ‘Don’t Let It Get You Down’ from his latest album that is difficult to resist screaming along to at the top of your lungs. What followed was a mixture of hits, old and new, that left plenty of room for Kane to show off his showmanship. Kane made it clear why he has been in the game for over a decade as he treated the crowd to plenty of guitar solos as well as a special guest: Leeds-born Corinne Bailey Rae joined him on stage to sing their single, ‘Nothing’s Ever Gonna Be Good Enough’. Scattered amongst his solo hits was a couple of The Last Shadow Puppet favourites, ‘Aviation’ and ‘Standing Next To Me’, that fit in nicely with the Motown influences of his latest album Change the Show. Kane was supported by an incredible band that matched his energy and stage presence as they helped him to rile up the crowd and get them on his side. A particular highlight was when Kane gave the stage to his sax-player and backing singer during ‘Never Get Tired of Dancing’ which showed the band off to their full capacity as they ensured that no one was too tired to have a boogie on a Sunday night. Another fantastic moment was Kane’s rendition of The Beatle’s classic ‘Don’t Let Me Down’ – a true celebration of the music of the North. 

In short, Miles Kane is an artist who knows exactly what his crowd wants and isn’t afraid to give it to them: something to sing along so loud to, or stamp their feet so hard to, that they may just forget that Monday is just around the corner. 

“I just try to let the tunes lead the way” – Miles Kane on his latest album, ‘Change the Show’

The latest effort from Birkenhead-born indie rock giant Miles Kane, entitled Change the Show, marks his fourth solo album since releasing Colour of the Trap back in 2011. I spoke with Miles ahead of the release, as he reflected on his previous work and gave us some insight into the production of this fantastic new album.

In many ways, Change the Show can be viewed as a departure from the heavy indie sound Kane became known for on his most popular tracks (such as ‘Rearrange’ or ‘Come Closer’). The new album tends to have a much more mature sound. Commenting on this development in his trademark sound, Kane said “I try to just let the tunes lead the way with it. Demoing it up and recording it, I was still doing tunes that were a bit more heavy or a bit more glammy, but then the ones that were a bit more in this world just seemed to sort of resonate more with me. It became clear to make it all like this.”. Whilst the album is not a million miles away from his previous work, Change the Show definitely has a more suave, classy style to it, with influences of soul and Motown present throughout. The inclusion of horns on tracks such as ‘Don’t Let It Get You Down’ came as a welcome inclusion to the new LP, Miles commented, “It’s probably a bit less aggressive than the last one but it’s still upbeat and stuff. I think as a collective of tunes, the order of it and the way they go into each other it works really well.”. The record does very much feel like it is an album, as opposed to a collection of songs, it almost dictates that it should be listened to start to finish rather than dipping in and out. As Miles said, it flows very well from song to song and the journey through the album is a very pleasant one. 

Change the Show is the fourth solo studio album released by Kane, his first album Colour of the Trap was released back in 2011 on Columbia Records. Reflecting on his solo career, he said, “I’d like to think my writing process has changed a lot – but whether it’s this album or the last album, I feel like I have that same feeling as I did when I did my first album. Every album I make I feel like it’s my first one. This album compared to that one, I’d like to think it’s moved on a bit, it’s cohesive and it’s its own little world.”. Previous to his solo projects, Miles fronted the indie band The Rascals, who received critical praise in the NME and supported Arctic Monkeys during their 2007 tour, “When I was younger and I was in the Rascals and Flames, that’s how I learnt my craft”. Miles has seen some great success throughout his solo work, with two top ten albums in Don’t Forget Who You Are (2013) and Coup de Grace (2018) – with Change the Showlikely to add that list. In addition to his solo work, though, Kane has also witnessed success with other projects such as The Last Shadow Puppets; his duo project with Alex Turner of Arctic Monkeys fame. Asked about what he likes about working on solo projects versus working with a band, Kane explained, “When we do the Puppets – that’s its own sort of thing, I love that – a duo – I like a partnership. Even the thing I’ve done with Corine [Corine Bailey Rae] on this record, there’s something about duos that I really like. Even if it’s just a song, that kind of battle between two people or the back and forth – that’s something I enjoy a lot. I mean I love writing tunes on my own and recording with people; I did this album with Dave and Oscar from Sunglasses For Jaws and they’re an amazing drummer and bass player so it’s almost like being in a band when you’re making it. It’s still that aesthetic, I guess, but just no nonsense really.”.

Change the Show album cover, image courtesy of Ian Cheek press

In addition to this new album, Miles also featured on ‘Dealer’, a recent single by American singer-songwriter Lana Del Rey, “We did that tune a while ago, there was a few tunes done and I love that tune. I think it that was one of those tunes that felt so unique at the time.” said Miles of the track. Whilst he did say the pair have recorded more songs together, so far ‘Dealer’ has been the only one to see the light of day. The single has proved to be incredibly popular, with over 30 million streams on Spotify. On the reaction to their song, Kane said “Seeing the reaction it’s had, all the streams and all that,  it’s blown my mind to be honest.”, he puts the popularity of the track down to its unique nature in comparison to the rest of Del Rey’s work, “It’s an intense tune and I think where she takes that song – no one’s ever heard her sing like that before. She really lets go and rips on it and I think that’s what makes it, it’s mind blowing.”. 

For depressingly obvious reasons, Miles has been forced to postpone his UK tour to May, which will see him play 16 dates across the country. Speaking on how it feels to be back playing live shows after so long, the artist said, “I can’t wait, to be honest. We had a little taste of it at the end of the summer, we did a couple of little festivals and one little gig – so the carrot’s been dangled. I’d play anywhere right now.”. Known for his exciting and energetic live performances and armed with a brand-new album full of effortlessly cool tracks, the tour is certainly not one to be missed. Kane will be visiting the O2 Academy in Leeds on Sunday the 29thMay, tickets are available from the artists’ website.