How Should We React to Controversial Artists

In the wake of Kanye West’s recent antisemitic statements, we must consider how to react to controversial artists. This is an area that has troubled people in recent years, especially with the rise of accountability in the media, and yet, there is still no consensus. Many separate art from its artist in their enjoyment of many forms of entertainment, such as music, literature, artwork, etc. However, we must consider if something this innocent is damaging in modern-day society.

West’s recent statements regarding the Jewish community where he says: “You guys have toyed with me and tried to black ball anyone whoever opposes your agenda”, threatening to go “death con 3 ON JEWISH PEOPLE” reek of antisemitism. These mindless comments have been supported by the white supremacist group ‘Goyim Defence League’, highlighting the dangers of encouraging these ideologies in mass media. These groups are a direct danger to Jewish communities, and could even become violent, with Kanye’s statements virtually endorsing this.

Now, you may wonder how continuing to listen to his music affects this, as it is seemingly harmless, but this is not the case. Continuing to listen to this artist monetises and potentially even supports his ideas. His continued wealth could be used to fund groups that could harm or damage Jewish or other communities, and this can be prevented to an extent by a boycott of his work. Moreover, his continued popularity, particularly on social media, is nurtured by people’s enjoyment of his art, but this gives him a platform to disseminate harmful beliefs that could influence others, particularly impressionable young people.

We should be calling out this behaviour and holding it to account, as many have done in this case. Kanye has been dropped by his talent agency, Balenciaga, JP Morgan, and others, largely due to public disgust of his recent statements. However, this is not the first time Kanye has made damaging statements. He has used scaremongering tactics in spreading misinformation about the COVID vaccine; stated that slavery was “a choice”; openly harassed his ex-wife (Kim Kardashian) and exposed her private information to criticism, such as her consideration of an abortion. Yet, this is the first time he has faced real consequences for his actions, all because of public outrage. This reveals, loud and clear, the power of the public. 

Although a lot of controversial artists’ music seems absent of their true beliefs and actions, this is not necessarily the case. Previously innocent lyrics become disturbing with a little context. This was made clear in the case of singer R. Kelly who was recently convicted of various sex offences, some involving children. For example, his song “She’s Got That Vibe” seems harmless initially until you realise that the “little cute Aaliyah” he mentions was 12 years old at the time of the song’s release. The lack of criticism he received essentially facilitated his later marriage to her when she was aged just 14, with him being 27. Alongside this, the general theme of his song “Down Low (Nobody Has to Know)” about a secret relationship, becomes clearly about grooming in a modern context. Even one of his most famous songs “Bump N Grind” becomes disturbing with the knowledge of his sexual habits.

Overall, controversial artists must be held to account for both their actions and statements, even if this means a boycott of their, potentially enjoyable, art. This ensures a reduction in their funding, less attention to their negatively used platforms, and most importantly, accountability for their actions.

Image Credit: Flickr

Does Ye have a way back?

It gets harder to defend Kanye West every day. This time, however, it would be wrong, and quite frankly impossible, to look to defend the off-kilter fashion and music mogul. 

Review: jeen-yuhs: A Kanye Trilogy – Simmons’ documentary Refocuses Spotlight on Ye

Kanye West, also popularised as ‘Ye’, is an intriguing figure to say the least. A polarizing egomaniac whose many outbursts and meltdowns have been well documented at this point. From an on-stage protest of Taylor Swift’s VMA win to his recent claim that slavery was a choice, Kanye has always been a hot topic for the tabloids. 

However, jeen-yuhs: A Kanye Trilogy is not here to revel in the gossip. Instead, it takes a contemplative, spiritual approach, exploring Kanye’s psyche. Clarence “Coodie” Simmons is the creative voice behind the project, a filmmaker who followed the up-and-coming Kanye everywhere, camcorder in-hand. He saw potential in the rapper/producer and knew one day his footage would be gold dust. 

As the title suggests, the documentary is split into three acts, 90 minutes each: act i VISION, act ii PURPOSE, and act iii AWAKENING. Simmons’ footage is raw and intimate, taking time to develop Kanye’s relationship with his mother, Donda. She is undeniably the emotional core, and her death is crushing. You empathise with Kanye who must grieve in the spotlight of his newfound fame. 

Netflix have a history of producing mediocre, cookie-cutter documentaries of famous individuals, recently Neymar: The Perfect Chaos felt like it was made by a machine. Alternatively, jeen-yuhs allows you to sit with the subject and realise that, despite his extraordinary talents, he is just a normal person, struggling with his mental health and demons. In this regard, act iii is without a doubt the strongest. 

Unlike Kanye himself, you may not view him as a genius, though one cannot deny his talent. His lyrical prowess and fiery ambition are on full display, especially whenever he raps directly to the camera. He stares right down the lens, confronting anyone who dares to doubt him. It must be disclosed that I am a MASSIVE fan of Kanye’s music, and I was in heaven witnessing the birth of some of my favourite songs. In one instance, Kanye hums ‘Through the Wire’ as literal metal wires try to mend his broken jaw. 

Your prior engagement with the subject and his work will be a large factor in whether you enjoy the 4hr 30 runtime. Simmons is extremely indulgent with the footage, especially in act i. There are extended scenes that struggle to justify their existence, aside from Kanye dropping nuggets of contrived ‘wisdom’. Simmons often inserts himself into the film here and incorporates his own life story, to which I ask why? He seems to beg for his own significance when most viewers couldn’t care less. There is a seriously good two hour film here, what we get is just too long.