‘The Midnight Sky’ review: George Clooney fails to
Netflix’s latest big-budget project, The Midnight Sky, is a sci-fi drama directed by and starring George Clooney. The film focuses on
Review: Dash and Lily
Dash & Lily is an American Christmas-based rom-com Netflix show based in New York City. The show is based on the
Todd Phillips’ Joker is a conflation of ‘Travis
Director of 1999 cult classic Fight Club unapologetically shared his views on Todd Phillips’ 21st-century adaptation of one of the
‘Saint Maud’ Review: Not your regular escape to
Séamus O'Hanlon reviews Saint Maud for the Arts and Culture section of The Gryphon.
Movies losing momentum – is the end near
Writer and Arts and Culture print editor Owen Frost investigates the recent decision from Cineworld to temporarily close their cinemas,
Da 5 Bloods Review: Spike Lee does not
The latest Spike Lee “Joint” arrived on Netflix on June 12th, off the back of Lee’s 2018 critical success with BlacKkKlansman. Da
Extraction Review: What can be salvaged from Netflix’s
Owen Frost reviews Netflix's Extraction and its recent streaming success.
European Film Institutions call for the Freedom of
Mohammad Rasoulof, director of the recent There Is No Evil, who was recently incarcerated in Iran, has gained international attention from
“The West is [not] The Best”: Will Parasite’s
Owen Frost explores the success of Parasite, but why its progress for international films could be lost.
Streaming Takes Studio Ghibli: A Blunder or an
Emma Rivers discusses the recent announcement that the entire catalogue of works from Studio Ghibli will be available to stream