LUU’S Open Theatre ‘Solarium’: a Review
Rosie Nowosielski review LUU Open Theatre's 'Solarium.' The Open Theatre Society describes itself as ‘the alternative performance society’, who perform...
features
Review: Perfect Days
Oliver Paul reviews Perfect Days , as Wim Wenders' quiet, unassuming film reminds us all to slow down. Attention spans...
daydreamers: A Shining Synth-Pop Single
Written by Gabriel Morrissey-Limb, Edited by Millie Cain. After several weeks of teasing their debut track all over social media,...
IDLES: Plastic Punk or Proper Passion?
Written and Edited by Millie Cain. A spontaneous show under the white lights of Project House, IDLES returned to Leeds...
Mother Mother’s “Grief Chapter”: An Ode To The Absurd
Written by Charlotte O'Reilly, Edited by Millie Cain Disheartened by the acceptance of the futility of human existence? Want to...
Online dating: The quest for intimacy in the online world
Dating apps have enveloped our generation. They suck users in with ego-boosting likes on hinge profiles, where you remain eternally...
Everyone’s Favourite Hippie Dad: Beans On Toast Live Review
Written by Maddie Nash Edited by Millie Cain To celebrate the mammoth achievement of releasing his sixteenth album, ‘The Toothpaste...
Kaiser Chiefs Return Home: A Night of Nostalgia and New Beginnings
Written by Joseph Nozedar, Edited by Millie Cain Being a Leeds band with an incredibly devoted following and a string...
Industry Plants – How the term damages the resurgence of female fronted rock bands like The Last Dinner Party
Written by Eszter Vida, edited by Millie Cain Industry plants: artists that music nerds love to hate and point out...
Jacquemus: Crafting a new narrative in luxury fashion
In the dynamic and ever-evolving landscape of luxury fashion; Jacquemus has emerged as a beacon of innovative design and branding....
