Groove Armada: Dance music legends bring super style to their twilight voyage

The babysitters have been booked, the Friday morning sick calls have been fully rehearsed, the hangover remedies have been pre-emptively laid out on kitchen islands. O2 Academy Leeds is packed with old-school ravers raring to go like it’s the last night of their lives. And why not? After all, this is likely the final chance they have to see Groove Armada perform a fully live show.

To celebrate a hugely successful 25 years since their debut, the dance legends are going out with a bang with a farewell tour. The duo, consisting of Tom Findlay and Andy Cato, defined the sound of the dancefloor for a generation alongside the likes of Basement Jaxx, Moloko and The Chemical Brothers. Throughout their genre-defying 8 album discography, they infuse floor fillers with flavours of trip-hop, funk and jungle to create music that is as at home in a sweaty house party basement as it is on a sun-soaked Ibiza beach. As sad it is to see them go, the crowd can’t wait to watch them leave.

As expected, the night’s setlist has its focus on the fan favourites rather than deeper cuts. With hits like ‘Look Me in the Eye Sister’, ‘My Friend’, and ‘Song 4 Mutya’ smartly starting proceedings, the room is invigorated from the offset.

M.A.D. and Groove Armada

Three singers share the responsibility of vocals, switching out individually for each song. Saint Saviour, complete with a tartan kilt and pigtails like a rave-ready Pippi Longstocking, covers the stomping house tracks while throwing her body into theatrically poised shapes. Veba punches iron-lunged power into the duo’s soulful electronica. M.A.D. acts as the hypeman, MCing over breakbeats and bringing the vigorous energy of an after-hours party. Each vocalist excels in their own style and highlights the impressive breadth of Groove Armada’s sound. This variety is also what propels the show forward, sometimes in unexpected ways. M.A.D. filling the shoes of Gramma Funk on irresistible Big Beat anthem ‘I See You Baby’ was a particular delight.

After a night of bleeping synths and pumping four-to-the-floor beats, the call of a trombone signals the encore with the opening riffs of downtempo house anthem ‘At The River’. By the time the intro of show closer ‘Superstylin’ rolls around, the crowd are practically rabid.

This swansong may have been a no-frills affair but, by relying on the strength of their crowd-pleasing catalogue, Groove Armada were able to deliver a lively and consistent send-off. This armada may be on its twilight voyage, but this is how you dock for the last time in super style.

Dev Halls’ High School Musical is an earnest love letter to the franchise

On Friday 25th February Devonshire Hall and the LUU Backstage Society concluded their three day run of ‘High School Musical on Stage!’, directed by Jess Simmons and based on the original High School Musical film. The adaptation follows the same course as the film, focusing on American high schoolers torn between the expectations placed on them by their cliques and their creative desires hidden within.

Immediately noticeable is the love that both audience and production have for the High School Musical property. The mania surrounding the 2006 made-for-TV film had to be experienced to be understood, which this production benefits from due to the cast and crew being made up entirely of first year students. The audience was immersed from the get-go, with the customary phones-off announcement concluded with “What team?”, and the audience’s emphatic roar of “Wildcats!”, highlighting just how embedded the film is in early Gen Z culture; I was sat alone and the Wildcat reflex took over me nonetheless. Although the American accents of almost every character left something to be desired, they weren’t especially distracting and almost complimented the endearingly cheesy nature of the franchise. The transitions were seamless, the sets charming and the lighting appropriately utilised throughout.

Credit: Jackie Slipper

The musical is instantly set apart from the film, with Sean Lomas as Troy singing the songs himself, which is more than can be said for Zac Efron in the first film. Lomas especially impressed when allowed to sing in a higher vocal range than songs like ‘Get’cha Head in the Game’ allow, and shone in ‘What I’ve Been Looking For’. The highlight of Elise McCracken’s consistent performance was in her solo, ‘When There Was Me and You’, with her vocal flourishes impressing throughout.

Any High School Musical fan will understand that the true star is Sharpay. She was played adeptly by Caitlin Lister who completely understood the assignment with all the sass and drama expected from the character matched with her own powerful, belting voice that outshone Ashley Tisdale’s by a mile. Josh King provides a refreshingly tortured aspect to Ryan, an oft overlooked character who finds solace only in his (perfectly executed) jazz squares. Maisy Dodd beautifully dominated the stage with her rendition of Ms Darbus, bringing all of the overacting and theatrics expected of her character and delighting the audience with nods to the romantic chemistry between herself and Coach Bolton (Uma Dell).

Credit: Jackie Slipper

The musical standout of the production was certainly ‘Stick to the Status Quo’, with the stage being fully utilised and eliciting a wonderful audience response. Especially notable was the surprisingly powerful verse by Sam Bolles as Zeke and the relentless ‘popping and locking’ of Charlotte Haren as Martha. The live band performed stunningly all night, with the inclusion of a full brass section serving to highlight the dedication of those behind the production.

High School Musical on Stage! proved to be an earnest love letter to the franchise, the inclusion of brick phones and chunky laptops showing an eye for detail and a level of care and passion that felt completely natural for a production led by those who grew up on High School Musical. Knowing that there is also a production of High School Musical 2: On Stage! in existence, one can only hope that the talented Backstage Society will cast their eyes towards a sequel.