Anya Taylor-Joy, Pretentiousness, and The Disney Machine
Isobel Moore considers how Anya Taylor Joy's rejection of Disney slots into the broader debate surrounding ndie vs. blockbuster filmmaking.
Isobel Moore considers how Anya Taylor Joy's rejection of Disney slots into the broader debate surrounding ndie vs. blockbuster filmmaking.
When the weather turns cold, there’s nothing better than curling up on the sofa with a good book. So, these
As I am sure we’ve all noticed, the days are getting shorter and the temperatures are really dropping. But, let’s
Bella Wigley reviews Aftersun, Charlotte Wells' debut feature film.
Daisy Jeffs reviews Colleen Hoover's follow-up to the hit 'It Ends With Us'.
Grace Patterson reflects upon Mary Beard's Alice Bacon Lecture, delivered at the University of Leeds.
Arts and Culture Editor Owen Frost reviews his time at 2022's LIFF (Leeds International Film Festival).
Arts and Culture Editor Owen reviews Theatre Group's adaptation of Jez Butterworth's modern classic, Jerusalem
Ready to trade the last of summer evenings for a night curled up on the sofa with a hot drink?
Mia Fulford reviews 'Emily', the latest adaptation of the Brontё sister's life.