Would a ‘Harry Potter’ TV series be magical?
I groaned when I first read the online headline speculating that Harry Potter may be getting a television reboot but...
Film
‘Saint Maud’ Review: Not your regular escape to Scarborough…
Saint Maud is a good, old-fashioned religious allegory engrossing viewers with its horror elements and introducing audiences to the important, local...
Review: Rebecca
Netflix and director Ben Wheatley’s “Rebecca” drags us along for a hurried, jolting adaptation of Daphne du Maurier’s classic novel. The...
Movies losing momentum – is the end near in sight?
Since Cineworld’s decision to purchase Picture House in December of 2012, they have enjoyed a large portion of the independent...
Culture in the Time of Covid
Hyde Park Book Club Book Club is a great spot for either a chilled pint with friends or a great...
Da 5 Bloods Review: Spike Lee does not quite strike gold
The latest Spike Lee “Joint” arrived on Netflix on June 12th, off the back of Lee’s 2018 critical success with BlacKkKlansman. Da...
Extraction Review: What can be salvaged from Netflix’s latest action-packed feature?
In Extraction, ex-Asgardian Chris Hemsworth plays a stoic Australian mercenary, Tyler Rake, flung into a world of crime. Rake’s recruitment is...
European Film Institutions call for the Freedom of Incarcerated Iranian Dissident Mohammad Rasoulof
Mohammad Rasoulof, director of the recent There Is No Evil, who was recently incarcerated in Iran, has gained international attention from...
Trailer Review: The French Dispatch
Wes Anderson’s notorious auteur colour palette has once again brushed our screens with the trailer for The French Dispatch or The French Dispatch...
“The West is [not] The Best”: Will Parasite’s Success be enough to Reinvent the Film Industry? 
As the awards season sees its final curtain close and the last embarrassing monologues are abruptly cut short, the Academy...
