‘Saint Maud’ Review: Not your regular escape to
Séamus O'Hanlon reviews Saint Maud for the Arts and Culture section of The Gryphon.
Review: Rebecca
Mia Fulford reviews the latest film adaption of Daphne du Maurier's 'Rebecca'.
Movies losing momentum – is the end near
Writer and Arts and Culture print editor Owen Frost investigates the recent decision from Cineworld to temporarily close their cinemas,
Culture in the Time of Covid
Hyde Park Book Club Book Club is a great spot for either a chilled pint with friends or a great
Da 5 Bloods Review: Spike Lee does not
The latest Spike Lee “Joint” arrived on Netflix on June 12th, off the back of Lee’s 2018 critical success with BlacKkKlansman. Da
Extraction Review: What can be salvaged from Netflix’s
Owen Frost reviews Netflix's Extraction and its recent streaming success.
European Film Institutions call for the Freedom of
Mohammad Rasoulof, director of the recent There Is No Evil, who was recently incarcerated in Iran, has gained international attention from
Trailer Review: The French Dispatch
Owen Frost reviews the latest trailer for Wes Anderson's new feature The French Dispatch.
“The West is [not] The Best”: Will Parasite’s
Owen Frost explores the success of Parasite, but why its progress for international films could be lost.
Spoiler Alert! Are Spoilers the Filmmakers Best Kept
Growing up, I was never too fond of the traditional spoiler. When it appears essential to the plot, for example: