“I know a good joke when I steal one”: An exploration of plagiarism in comedy
The issue of ‘joke thieves’ and plagiarism in comedy has become somewhat of a regular discussion in the past few...
Arts and Culture
Studio Fiasco, Netflix Eclipse & Death to Popcorn – Interview with BAFTA Nominee, Mark Herman
When the opportunity presented itself to interview British filmmaker, Mark Herman, it was too bountiful of an opportunity to not...
‘Bridgerton’ Review: Why is it so popular and is it worth the hype?
Despite only being released on 25th December 2020, Bridgerton became Netflix’s fifth most-watched original launch, with over 63 million households tuning in...
‘The Midnight Sky’ review: George Clooney fails to save humanity from lockdown boredom
Netflix’s latest big-budget project, The Midnight Sky, is a sci-fi drama directed by and starring George Clooney. The film focuses on...
Mank Review: David Fincher’s Love Letter to Old Hollywood
Mank marks the collaboration between heavy-weight Director David Fincher (Fight Club, Seven, The Social Network) and Netflix. It throws us into...
James May: Oh Cook! The Cooking Show Hosted by the Man who Can’t Cook
The former Top Gear host insists he can’t cook, but he did beat Gordon Ramsay in a fish pie contest...
Review: Dash and Lily
Dash & Lily is an American Christmas-based rom-com Netflix show based in New York City. The show is based on the...
In defence of Stonehenge’s scenic route
The recent approval for plans to construct a tunnel along the A303 Route alongside Stonehenge has been met with mixed...
Todd Phillips’ Joker is a conflation of ‘Travis Bickle and Rupert Pupnick’: What David Fincher’s comments on Joker reveal about the film industry today
Director of 1999 cult classic Fight Club unapologetically shared his views on Todd Phillips’ 21st-century adaptation of one of the...
Where does Banksy belong?
Banksy’s latest, an image of a girl hula-hooping, has recently appeared on the side of a beauty salon in Nottingham....
