Full Stream Ahead: How has the Arts and Culture world coped with Covid-19?
With great Leeds arts community spaces such as Hyde Park Picture House or the Leeds Museums & Galleries temporarily closing...
Owen Frost
Extraction Review: What can be salvaged from Netflix’s latest action-packed feature?
In Extraction, ex-Asgardian Chris Hemsworth plays a stoic Australian mercenary, Tyler Rake, flung into a world of crime. Rake’s recruitment is...
European Film Institutions call for the Freedom of Incarcerated Iranian Dissident Mohammad Rasoulof
Mohammad Rasoulof, director of the recent There Is No Evil, who was recently incarcerated in Iran, has gained international attention from...
Trailer Review: The French Dispatch
Wes Anderson’s notorious auteur colour palette has once again brushed our screens with the trailer for The French Dispatch or The French Dispatch...
“The West is [not] The Best”: Will Parasite’s Success be enough to Reinvent the Film Industry? 
As the awards season sees its final curtain close and the last embarrassing monologues are abruptly cut short, the Academy...
Spoiler Alert! Are Spoilers the Filmmakers Best Kept Secret?
Growing up, I was never too fond of the traditional spoiler. When it appears essential to the plot, for example:...
Ken Loach Joins Martin Scorsese’s Avengers: Fighting for the Art of True Cinema
With the ongoing superhero feud shaping up to become hotter than Endgame, British director Ken Loach has teamed up with...
Is Ageism Still a Problem in the Film Industry?
With the release of the most recent Bond film title: No Time To Die, I thought it’d be a good idea...
