The Marías concert: Fairies are real and I saw one with my own two eyes. 

Stepping out of a dream, María Zardoya took the stage in a haze of soft lights, her presence as captivating as the stories woven into their lyrics. The lovechild of María Zardoya and Josh Conway, accompanied by their two bandmates, took over the stage at O2 Ritz Manchester, where they transported us to a place of pure romance, with lyrics speaking straight to the heart. 

From “I don’t want to get lost inside the colour under my tongue” to “I live under your eyelids, I’ll always be yours,” the 16-year-old in me who first listened to these words, staring out the window and holding back tears, had been dying to cross them off my bucket list. 

As the band stepped on stage, I stood in awe. A silhouette appeared, unaware of what I was about to experience. With wet hair and asymmetric clothing, as if she’d just dragged herself out of a pond – appropriate, given the album’s name is Submarine – Zardoya held us spellbound, every word a new wave to ride. With lights pulsing to the beat, the opener, ‘Hamptons’, set a mesmerising, almost psychedelic tone for the night. The crowd was urged to let loose, jumping and shaking off the worries of the day. When Zardoya tells you to do something, you listen – so we all jumped.

As time went by, one look around proved that no one in the crowd could stop dancing. The band did an exceptional job of pleasing both old and new fans, playing songs from their EPs all the way to their debut album—tracks like ‘Only in my Dreams’, ‘Cariño’, ‘Heavy’, and ‘Hush’. The band admitted that after their debut album, they weren’t sure if they’d release another. Thank God they did!

Zardoya’s stage presence felt angelic, and her chemistry with bandmate (and former partner) Josh Conway is one for the books. The way she moved across the stage felt like an apparition. It was as if the audience had stumbled into a dream, mesmerised by these fairy-like creatures singing you to sleep. Apart from their own songs, the band also played a cover of ‘Lovefool’. Although unexpected, their execution made the song their own with Zardoya’s soothing and ethereal vocals wrapping the song in a new layer of intimacy.

The concert’s most intimate moment arrived as ‘Sienna’ started playing. Zardoya, now seated and holding her head, drew us into a private reflection. Seeing her perform the song live felt like a glimpse into something personal, almost sacred. The song is, indeed, one that is close to the singer’s heart. It discusses a once-cherished dream of having a child with her partner – a dream that gradually dwindled as the relationship came to an end. The whimsical soundscape of the song gave the listeners the opportunity to interpret the music as they wished, with the weight of longing, of love lost, dreams unfulfilled – these feelings reverberating around the room. In that moment, ‘Sienna’ became more than a song; it was a story of intimacy and heartache accompanied by such vulnerability that the audience was left bewitched. For the ones in the crowd that were familiar with the song’s backstory, this was no ordinary performance—Zardoya was sharing a piece of herself with us, opening up and letting us see her not just as a performer, but as a woman with her own dreams and heartbreaks.

Leaving the concert, I felt as though I’d fallen in love. The air of the train home was thick with romance, unspoken words and the lingering urge to reach out to people from past lives. I suppose that’s what love does to you—it stirs forgotten feelings and leaves you wanting more. Upon exiting the venue, struck by the reality of the outside world, the magic of the concert shall stay with me for a while as a refreshing reminder of how raw and enchanting this live performance was. It was a lingering experience, the echoes of the night still quietly humming in the back of my mind. 

Words by Aria Aristotelous

Bradley Simpson unplugged: A captivating night at Brudenell

On the night of November 13, I had the unexpected opportunity to see Bradley Simpson perform at Brudenell Social Club. Despite not being completely familiar with Simpson’s solo career, I’d still call myself a fan of The Vamps, especially as Simpson played a crucial role in the development of my teenage self’s musical (and romantic) taste and interests. 

Simpson emerged on stage a little after 9, dressed in a white shirt, looking rather angelic and instantly sending the crowd into a frenzy. Shouts, screams, and several “I love you”s and “I love you too”s later, Simpson grabbed the microphone and set the tone for the night—energetic, shoulder-moving, hands-in-the-air, feet-hurting fun.

He opened with one of his unreleased songs. Though it hasn’t yet seen the light of day, the true fans in the crowd seemed to know every word by heart. His stage presence was immaculate and the way he moved was contagious. Simpson was clearly enjoying himself, something that made a new fan of his solo career, like me, enjoy myself, too. I found myself dancing to songs I didn’t even know the lyrics to, my eyes shifting between the fans reaching their hands in the air in hopes of Simpson touching them and Simpson himself whose smile of excitement seemed glued to his face.

From unreleased tracks from his upcoming album, to released songs, to covers of unanticipated songs, it felt as though you couldn’t look away. The energy Brudenell had at that moment was electrifying. The stage was on fire as Simpson brought the charisma, energy, and magnetism of a, dare I say, rockstar? 

It’s safe to say the covers caught me off guard, but I found myself enjoying them wholeheartedly. His first cover was ‘Hot to Go’ by Chapell Roan and although it’s not something I would expect him to sing, Simpson’s deeper and raspier voice gave the song a unique twist that made it feel like his own. The versatility in his voice was striking, as it was clear that he adapts effortlessly to each style whilst keeping the crowd captivated. A prime example of this was his second live cover of ‘Dreams’ by Fleetwood Mac. His slowed-down version gave the song a ballad-like aura, showing that Simpson can also sing a ballad without breaking a sweat. 

At that moment, Brudenell transformed into an intimate lounge. The energy softened as the room grew quiet, with the flashlights flickering on whilst Simpson’s face glowed and his warm vocals wrapped around everyone like a tight, reassuring embrace. As the night went on, Simpson’s connection with the audience only deepened. He didn’t just perform; he interacted with fans, making eye contact and sharing smiles that felt genuine and personal. 

A standout moment came when he returned on stage for his final song ‘Picasso’. Although the view was partially obstructed by the fans that were hoping to get one last close look of Bradley Simpson; that didn’t stop the rest of the crowd from singing along, creating this wave of unity in the room. His vocals shone, filling the space with not only power but also warmth, leaving me eagerly anticipating the release of his debut album.

By the end of the set, I found myself surprised at how quickly the time had passed. It’s rare to come across a performer who can captivate both loyal fans and newcomers, but Bradley Simpson and his artistry did just that. 

Words by Aria Aristotelous

Leeds Dwindling Nightlight – a Good or a Bad Thing?

With Leeds’ renowned bustling nightlife, students spill out onto the streets every
night in search of the best spots for cheap drinks and great music. However, it’s hard
to ignore the signs that the future of Leeds’ nightlife may be at risk. Is the city’s bar
and club scene starting to dwindle?

The recent closure of Walkabout has left both long-term fans and newer students in
shock. Once a place where the sounds of students enjoying their night filled the air, it
now stands silent, marking a significant change in the nightlife landscape. It seems
that, perhaps the bar and club scene in Leeds may indeed be starting to fade.

However, to which extend is that actually a negative thing? Is this affecting the
overall experience and culture of university life or is it simply encouraging students to
socialise in new ways and through different activities?

It appears that more and more students are starting to shift their preferences towards
daytime activities, alcohol-free events, or smaller, more intimate gatherings. Is
internet culture promoting slow living, and subtler activities? From cosy intimate
dinners and painting sessions to coffee dates and walks at the park, it is safe to say
that students are finding new ways to enjoy student life without the need for nightlife
and alcohol.

As these changes unfold, it’s clear that the nightlife scene in Leeds is evolving. This
transformation could lead to a more diverse social landscape, where students create
deeper connections in various settings, ultimately enriching their university
experience in ways that extend beyond traditional nightlife norms and expectations.

Words by Aria Aristotelous

Cover Image Credit: Divya Thakur via Flickr