The Official Newspaper of the University of Leeds since 1897

The Official Newspaper of the University of Leeds. Writing inspiring and meaningful stories since 1897

Review: Found Cities, Lost Objects

0

Anna Jackman visits ‘Found Cities, Lost Objects,’ Leeds Art Gallery’s most recent exhibition.

image-1

Anna Jackman visits ‘Found Cities, Lost Objects,’ Leeds Art Gallery’s most recent exhibition.

The much-anticipated exhibition ‘Found Cities, Lost Objects’ opened its doors at Leeds Art Gallery on the 26th January and will remain open till 21st April 2024. Curated by the Turner Prize-winning artist Lubaina Himid, the exhibition explores the urban environment through the eyes of women and gender non-conforming artists in an arts council collection. The exhibition explores themes ranging from identity and navigation to the dynamics of power and belonging within the urban landscape.

As you walk into Leeds Art Gallery, you are immediately greeted on the right, opposite the Tiled Hall Café, to the start of the exhibition. The signposting includes the usual title, artists included, and a brief description of what the exhibition aims to explore. However, interestingly, it also includes questions to consider whilst exploring the exhibition, including: What would a feminist city look like? How do we reshape the city to work for everyone? Can we ever reclaim the night? I found this particularly poignant as it was interesting to bring this immediate sense of contemplation to the exhibition, as well as immediately enforcing its themes, and acknowledging the privileges which allow some people to roam freely whilst also considering the boundaries that may curb the experiences of others. It invites viewers to contemplate how the buildings, streets, and neighborhoods you inhabit shape you and your life.

The exhibition overall felt striking, with many of the individual pieces being extremely thought-provoking. Despite this, the overarching curation seemed to lack cohesiveness, leaving viewers grappling to find the thread that tied all these amazing pieces together. Besides this, the labelling of the pieces was inconsistent with some offering a deeper insight into the work whereas others just offered the name, artist, and medium it was made in. Therefore, as I stepped into the gallery space, I was met with a sense of disconnection and inconsistency rather than a cohesive narration.

The exhibit offers a variety of mediums, styles, and representations including film, sculpture, painting, maps, embroidery, collage, and photography.

(Jesse Darling, Brazen Serpent 2018 Steel, aluminium mobility cane, rubber ferrule, and lacquer)
(Lisa Milroy, Kyoto House 1994 Oil on Canvas)
( George Storm Fletcher, The Second Rule of Assertiveness, November 2023 / Acrylic, plywood, and beeswax with digital photograph of installation at Ely College with emulsion on canvas)

I found the short films to be particularly successful when exploring this exhibition, specifically the film by Chloë Brown A Soft Rebellion in Paradise 2019, where 200 women gathered in Paradise Square, Sheffield, a site known as a place for protest. These women come together to perform a series of ‘soft rebellions’ including clapping, being silent, and chanting a specially commissioned poem by Geraldine Monk. This idea of a ‘soft rebellion’ is compelling, as is perhaps the most actionable idea for the viewer. I found this short film empowering, and it highlighted women specifically can assert their autonomy within systems that may seek to suppress or limit their freedoms. By subtly challenging norms, women can assert their right to make choices that align with their values and desires. This can be as simple as being silent or clapping.

Despite the slight lack of cohesiveness of ‘Lost cities, Found Objects,’ it would be remiss not to acknowledge the strength of the individual artworks which manage to leave a lasting impression. The individual brilliance of the featured artworks offers poignant moments of reflection on the complexities of urban life and gender representation. Moreover, the exhibition serves as a testament to the importance of providing platforms for marginalised voices. Despite its flaws, it remains a valuable contribution to the ongoing dialogue surrounding gender, urbanity, and representation in contemporary art. Overall, I really enjoyed the exhibition, and I would encourage people to visit and contemplate about their own city and experiences.

Words by Anna Jackman

Leave a Reply

Your email address will not be published. Required fields are marked *

Weather

High: 13°C

Low: 8°C

Rain: 78%

Sunset: 08:07 PM

As an independent media outlet, we hold the University and the Union to account where possible. We provide a range of content that is of interest to students and residents of Leeds.

×

Write for Us

We are always looking for talented writers to contribute to the Gryphon! If you have a passion for newspapers (or writting in general), we encourage you to submit your work. Please review the following guidelines before submitting your article:

Original Content: We only accept original articles that have not been previously published elsewhere.
Writing Style: Use a clear and concise writing style, and ensure your article is well-structured and easy to read.
Images: If you include images, please ensure you have the necessary rights to use them. Provide appropriate attribution.

We will review your submission and notify you. If your article is selected for publication. We reserve the right to edit articles for clarity and style.

×

Advertise With Us

Looking to connect with engaged readers? The Gryphon offers a unique platform to showcase your brand and reach a Student population.

Why Advertise with Us?

Targeted Reach: Connect with a specific demographic interested in Local news, arts & culture and student life.

High Engagement: Our readers are actively involved and value the content we provide.
Multiple Opportunities: We offer a range of advertising options to suit your needs and budget, including banner ads and sponsored content.

Interested in learning more?
Contact us at editor@thegryphon.co.uk to discuss advertising opportunities and rates. We look forward to partnering with you!

Contact Us

editor@thegryphon.co.uk


Issues with website?